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White paper embossed with the front page of "The Birmingham News,” headlines and text barely legible
April 9, 1963
White paper embossed with the front page of "The Birmingham News,” headlines and text barely legible

April 9, 1963

Artist (American, born 1984)
Date2016
MediumBlind embossed paper
Dimensionssheet and image: 26 1/4 × 18 in. (66.7 × 45.7 cm)
ClassificationPrint
Credit LineMary and Leigh Block Museum of Art, Northwestern University, Julie and Lawrence Bernstein Family Art Acquisition Fund, Press Collection Endowment Fund, and Block Museum Special Projects Fund purchase
Object number2020.3.1
Text Entries

One Book One Northwestern, 2022–23

This blind embossed print reproduces the front page of an issue of The Birmingham News from 1963. Part of a series of prints, it refers to one day in the Birmingham campaign, the 38-day series of non-violent actions against segregation. The protest, which lasted from April 3 until May 10 that year, included lunch counter sit-ins, marches on City Hall, and boycotts of downtown merchants. Although these historic events were covered in the national press, the board of The Birmingham News chose not to write about the Civil Rights protests.

Bethany Collins’s work draws attention to how the press decided to omit important events in the Civil Rights Movement from its pages. The print’s raised surface creates a ghostly, barely legible text that calls into question the objectivity of news reporting. By printing the newspaper without ink, the artist highlights the intentional absence of the historic events from the local newspaper that spring, an editorial decision that was meant to negate the protester’s claims of injustice and deny the systemic racism they experienced.

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