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2013
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Drawing the Future: Chicago Architecture on the International Stage, 1900–1925
CLOWNFLANEUR: MFA Thesis Exhibition from the Department of Art Theory & Practice
Eye Contact: Photographic Portraits from the Collection
Blacklisted: William Gropper's Capriccios
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Duvarlar-Mauern-Walls (2000) with director Can Candan in person
Soleil Ô (1970)
Hale County This Morning, This Evening (2018) w/ RaMell Ross
Jane: An Abortion Service (1995)
An Opera of the World (2017) w/ Manthia Diawara in Person
Avant Garde Africa: Manthia Diawara
Berlin, Babylon (2001)
The Stepford Wives (1975) in 35mm
Rabbit à la Berlin & Wir bleiben hier (2009/1990)
Technology Transformations: A Feminist History of the Supercut
What Time Is It There? (2001) in 35mm
Made in Chicago: Princess Cyd (2017)
Crime + Punishment (2017) w/ director Stephen Maing in person
Birthright: A War Story (2017) w/ director Civia Tamarkin
Ilo Ilo (2013)
Brûle la mer (Burn the Sea, 2015) in 35mm
Young Soul Rebels (1991) in 35mm
Wings of Desire (1987)
Migrating Berlin: Multinational Perspectives on Germany’s Years of Reunification
Looking for Langston (1989) and The Attendant (1993)
City of Lost Souls (1983)
Dirty Looks LA: Eight Years On
Our Century (1983) and State of Weightlessness (1994)
For All Mankind (1989)
Wanderers of the Desert (1984)
Ishtar (1987) in 35mm
Yeelen (1987)
Waiting for Happiness (2002)
Spell Reel (2017)
The Waldheim Waltz (2018)
Naila and the Uprising (2017)
The Image You Missed (2018)
Auto-Erotic: Female Sexuality in the First Person
...Is Never Done: Films on Gender and Labor
Losing Ground (1982)
Barbara Hammer: Mediated Sensuality
Barbara Hammer: Declarations of Identity
9 to 5 (1980)
A Bread Factory (2018)
The Area (2018)
Rubber Coated Steel (2016) and Watching the Detectives (2017)
Branco Sai, Preto Fica (White Out, Black In, 2014)
NU DOCS Program 1: RETROSPECTIVES (2019)
NU Docs Program 2: TEMPORALITIES (2019)
NU DOCS Program 3: STRUCTURES (2019)
Life Without Death (2000)
The Last Black Man in San Francisco (2019)
La Politique des Autres: Short Films by Agnès Varda
2017
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History and Memory & Yuri Kochiyama: Passion for Justice
“The Gay Left”: Homosexuality in the Era of Late Socialism
Japanese Experimental Cinema—Between Protest and Performance, 1960-1975
Dreams Are Colder Than Death
The Cinema Of Chantal Akerman: Time, Borders, Politics
Los Muertos
The Loving Story
Ministry of Light: Experimental State-Sponsored Films from India, 1968-1975
2017 NU Student Film Festival
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Cameraperson with director Kirsten Johnson
If You Remember, I'll Remember
Songs of Innocence and Experience—Visionary Cinema in the 1960s & 70s
New Docs - Fall
Nigeria in Self-Conversation: The Films of Femi Odugbemi
Eyeworks Festival of Experimental Animation 2017
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Honoré Daumier
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Honoré Daumier
(367)
La Maison Aubert, Paris, France
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361 to 367 of 367
Voyez Berryer, célèbre horticulteur... (Quatrain tiré des coups de boutoir poétiques - volume sous presse) (Behold, Berryer, horticulturist, as this is he renowned... (Quatrain from poetic attacks: volume in press))
Honoré Daumier
1850
La voyez-vous, la comète?.... là-haut..... au bout de mon doigt....... ne perdez pas de vue mon doigt!.... (Can you see the comet?..... just there..... at the tip of my finger ..... don't lose sight of my finger!.... ), plate 5 from the series La Comête de 1857
Honoré Daumier
1857
Voyons ... il est déjà trois heures et demi et pas encore levé!... (I don't believe it… it's already three thirty and he's still in bed!...), from the series Croquis de Chasse, par H. Daumier
Honoré Daumier
1864
Voyons, voyons... pas tant d'empressement (Come on, come on… not so eagerly...), from the series Croquis Parisiens, par H. Daumier
Honoré Daumier
1865
Le vrai feu d'artifice est d'être libéral. (The true fireworks is to be liberal.), plate 182 from the series Actualitiés
Honoré Daumier
1869
Vue d'une antichambre ministérielle, sous n'importe quel gouvernement (Lobby of a minister of any government)
Honoré Daumier
1849
Y n'y a rien comm'ça pour le rhume de cerveau, ça vaut de l'or!!!...... (There is nothing like it against a cold; it's worth its weight in gold)
Honoré Daumier
1838
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